Thursday 24 March 2011

Scans of A3 screen prints on photographs

I think the textured text works nicely on the dull photographs and that the simple textured photos work best out of all I have tried so far. The photos look great large (A3) but I think they could go even bigger, I want to try A2 or A1 on a really thick textured paper. 









Sunday 20 March 2011

Would they work in a book?

How do they look as a sequence of images? The text is harsh but im planning on screen-printing it anyway.









Monday 14 March 2011

Photos from hastings















Screen prints on photos from Chatham

Screen-printed some sayings that I made up to bring to life the meaning of my project. I think they work really well especially the portrait more abstract photographs. On some of them, the text takes away the detail of the photograph. I want to try the prints big, maybe A2 and try screen-printing again this size. More photography experimenting too!



Monday 7 March 2011

Russell Mills and Ian Walton - Forward to Far

Love these! Wish I could have seen them in the exhibition. Russell Mills and Ian Walton use scrappy old materials and collage them together to make these beautiful textured pieces, the frame finishes it off perfectly. Beautifying old crap!




HDR and monotone experimenting

Here i have responded to Aaron Siskinds photographs by using monotone and finding contrast by merging 3 photographs of different exposures with HDR. I like how the contrast is high but you do not lose detail in the light parts. The monotone makes you concentrate on the texture in the images. 




Sunday 6 March 2011

Photographer Research

This is the work of Eugene Atget, a lot of my photography is similar to his in the way he photographs buildings in an abstract way with no signs of life.




William Eggleston photographs everyday objects and finds the beauty in mundane situations. His style is intriguing and makes you want to find out more about the images.







Aaron Siskind's photography is very similar to mine in the way he used close-up shots to make his scenes abstract and textural. The monotone makes the viewer concentrate on the textures rather than being drawn to a conclusion by the colour. I will experiment with this in my photography.